‘Kin Hell Fest 2013 – The Review! – Sunday 28th April

Click here for full review of Friday 26th April
Click here for full review of Saturday 27th April

Sunday 28th April

image

I arrived a little bit late in the day, expecting to miss Envoys and DSDNT, with the sharper changeover times to make sure of that. Shyeah, right! It was a while before the Leeds hardcore crew were ready to go, allowing me plenty time for that flyer to go up and to grab a beer too. Still, when they did get going, the crowd received a pretty good set. There still seems to be a fair few people asleep, and they missed performance of real intensity, with the band’s vocalist allowed to stalk the floor and bellow his lungs out at any given moment while the others duelled out the soundtrack to their downbeat mood.

image

Even that doesn’t prepare us though for The Day Man Lost, making a comeback with a new lineup. They pull off a set that’s all kinds of amazing, seamlessly shifting from one song to the next with little time to draw breath before the next grind barrage hits. The pit perimeter seems to widen with every song with more and more people wanting to enter the frenzy. This is quite possibly the best set of the weekend, hoovering even the most vaguely interested party into undiluted glee with the constant stab-stab-stab of subjugating sonic violence.

image

Horsebastard aren’t bad either, albeit experiencing a slightly subdued atmosphere as for some reason all TDML fans disappeared. It’s a rollicking mix of grindy hardcore punk and political awareness, with Chris Reese of Corrupt Moral Altar doing vocal duties here too. Their bassist is fleet of finger and doesn’t relent for the entirety of the set. But having been a guitarist short for the entire set, they do well not submerge in a sea of low-end grooves, making the best of a potentially sticky situation and winding up impressing the pants off many.

image

Corrupt Moral Altar trucker caps had been sighted frequently since the beginning of ‘Kin Hell Fest, suggesting there was definite buzz about the underground ‘supergroup’, and if there was anything tantamount to hype then CxMxA didn’t let anybody down. It’s a blistering set and blood is even shed in the pit as the chaos gets a little too rowdy.

image

Wode appeared to suffer from technical glitches early on but still manage to plough out a few of their impressive blackened tunes. But the spark to ignite this particular set is somewhat missing. I get that not every musician wants to be an entertainer but with the vibe given off at this festival it would have been nice for the band to appear to enjoy themselves a little more. As it is, the appreciation shown by the crowd doesn’t seem entirely reciprocal, and the overall feeling is a little flat.

image

The Sufferinfuck set could have suffered similarly from the opposite perspective, with the earlier hordes of grind rangers not showing up as frequently for the West Lothian powerviolence mob, but any doubts are cast aside from the opening blasts from the back of the room. This is one of most furious sets of the weekend, anf their singer screams himself hoarse, even roaring at one point to the switches on the wall. There’s just enough time at the end for everyone to catch their breath before they close on the cerebral ‘Nature Will Out’, allowing for one brief moment of foreboding malice before they throw the kitchen sink at it again. Bloody terrific.

image

If the first chunk of the day was largely fast, it’s mid-section was about to hit a sudden bump in the road, and the Scouse whiskey machine Iron Witch were on hand to slow things down. Always a class act as usual, they manage to sneak in a new song or two and still retain a familiar feel about their set, with the new material from ‘Hangover Suicide‘ fitting like a glove. Today’s set felt like they were doom trippin’ more than the last time I saw them, which was back when ‘Single Malt‘ was the flavour, but that’s no bad thing when the riffs flow as they so often do, and

image

Things slow down even further for the arrival of Bong. A divisive act, in terms of people who can’t stand drone no less stand through 40 minutes of it, and of course those who can, whether we’re into it or slightly curious. Those that stay are greeted with a masterful display of pure focus and attrition, building and maintaining the volume throughout, with only a morsel of chanted vocals and a spacey upward movement in tempo as the set progresses on which to hang any hat on the coathook of melody.

image

The room become tightly packed for the return of Leeds’ own A Forest of Stars, who use their soundtrack to ensure everything is precise to the most minute detail. The local crowd seem more than happy to let them get on with it and they don’t disappoint, providing a thorough, professional and wholly unique experience. The septet and their ensemble of instruments fill the seemingly tiny stage yet the crowd equally squeezes down to the front to glimpse to see their unique blend of progressive black metal, holding everyone’s attention like the mass conductors they are.

image

After that display of utmost composure and sincere appreciation, some depravity had to be in order, and London goregrind louts Gout were on hand to deliver it. Decked in their now trademark Hawaiian clothing and entering to the ‘Trololol’ song, the lights turn a blood red over the stage and when it all kicks in everything goes nuts. An explosion in the pit felt like it was forever waiting, until Gout came along and in one fell swoop opened up a sea of flailing, circling humanity. Eddie Spengler revels in his frontman role, unleashing ridiculous song titles – ‘Interspecies Zoophiliac Sex Safari’ being a nugget of pure gold in its utterance – and plumbing the deepest gutter of the vocal bucket whilst having a good old jape around the stage, as his bandmates blast and groove everything to pieces. It’s over in 30 minutes but the good times experienced here will long live on when looking back over this weekend.

image

Not to be outdone, Bury death metallers Foetal Juice don’t waste too much time in delivering their own gleeful battering, hitting the jackpot with every song, vocalist Sam Read revelling in the role of growler and conjuror, keeping the crowd enthralled throughout and spending the whole gig with a maniacal expression across his face. 18 months ago they were a proud part of the original KHF. Sub-headlining this time around, how much longer before they’re headlining things like this in their own right?

Unfortunately, my carriage awaits as stamina gets the better of us and we decide to call it a night at a reasonable time. So apologies to Man Must Die and indeed Envoys from earlier, though I’m assured both were excellent.

Finally, I must close out this review with a massive thank you to Paul Priest and to all the KHF staff who made our time there very accommodating whilst running an excellent operation on a large scale throughout. I implore everyone to head over to the ‘Kin Hell Fest page over on Facebook and to continue to support this festival in any way, shape or form. We’d love to see this fest return in 2014 – it was a blast from start to finish, and its grand to see UK hardcore and metal, in all its forms, is very much alive and well in the catacombs of the underground.

Peter Clegg

‘Kin Hell Fest 2013 Preview – Sunday

All good things come to an end and the same is no different with the 2013 edition of ‘Kin Hell Fest. But will it go quietly? Of course not. There’s still another thirteen bands to see, and there’s an afterparty too for those who don’t have to jet for the last train home. So let’s round off this preview…

Envoys – 12:30-12:55

image

Envoys are a lush instrumental post-rock/metal trio who certainly qualify as one of the more expansive bands on the line-up. Their 2012 demo (self titled as ‘E N V O Y S’) showcases a band full of potential.

Facebook

DSDNT – 13:10-13:35

image

Local Leeds hardcore crew who formed in mid-2011 and have been tearing off limbs ever since. Their debut self-titled EP is up for free on their Bandcamp page and if Envoys don’t blast the cobwebs from Saturday away, DSDNT should certainly do the trick.

Facebook

Horsebastard – 13:50-14:15

image

Assuredly free of any fraudulent horsemeat, this equine-loving crew are proprietors to head-shrinking grind and for one of 2012’s most disturbing and compelling videos, for the track ‘Short Controlled Bursts’. And that’s exactly what you’ll get here, as this Liverpudlian lot batter you time and time again with said accurate bursts.

Facebook

The Day Man Lost – 14:30-14:55

image

Mourned by the Northern scene and by grind fans in the know when they originally split, Preston’s The Day Man Lost have returned with new blood and all new intensity. The mood is likely to be celebratory but at the same time it’s going to be downright nuts when they make mincemeat of the crowd with their furious assault.

Facebook

Corrupt Moral Altar – 15:10-15:40

image

Making their first appearance in Leeds and indeed at this festival, Corrupt Moral Altar are a supergroup of sorts, containing members of Horsebastard, Magpyes, Malevolent Creation, and play ridiculously heavy, scuzzy sludge grind. ‘Luciferian Deathcult’ was more than just a warning shot, bringing to the fore classic vibes of Iron Monkey, Mistress and smoky bourbon. New release ‘Whiskey Sierra’ is set to prove that was no fluke. Do not miss.

Facebook

Wode – 15:55-16:25

image

Fantastic up and coming black metal band from Manchester. Their drummer is also the lead vocalist, and he’s an absolute machine, especially on the kit. The rest of the band are up to his ability too. Certainly got the ability to be one of the highlights of the festival.

Tumblr

Sufferinfuck – 16:40-17:05

image

One of the many bands flying the flag for Scottish grind/powerviolence bring the pain to Leeds. They’ve been owning the scene over the border for a little while and now its England’s turn to be decimated by this West Lothian mob.

Official site (Blogger)

Iron Witch – 17:20-17:50

image

Highly talked about and full of boozy rage, Scouse sludge crew Iron Witch are going from strength to strength, off the back of two solid releases in the last year, ‘Post-Vegas Blues’, and their best work to date, ‘Hangover Suicide’. Unquestionably one of the bands you absolutely must not miss this weekend, though watch your drinks don’t go flying when the pit undoubtedly explodes in a fit of nihilistic rage.

Facebook

Bong – 18:10-18:50

image

Even if you arrived ten minutes late into this band’s set, you probably won’t have missed much beyond the opening bars! In all seriousness though, Newcastle’s space-psych-doomers Bong will certainly be the trippiest band of the weekend, sending us all onto another plane whatever your poison is. A rare live outing not to be shunned.

Facebook

A Forest of Stars – 19:10-19:50

image

Unquestionably one of the most intriguing acts the festival has to offer, A Forest of Stars are more than just your average black metal band, winning new fans and dividing current ones further with 2012’s masterful ‘A Shadowplay for Yesterdays’, rich in Victorian theme and avant-garde propensities. This Leeds crew are another stellar draw for the festival and their set ought to be warmly received by all.

Facebook

Gout – 20:05-20:35

image

Smashing London lads who are quite good at this grind jiggery-pokery, embracing the fun and silly side of goregrind while at the same time embellishing its wicked tendencies. If you enjoy Rompeprop you’ll enjoy these too.

Facebook

Foetal Juice – 20:50-21:20

image

Grimy, scuzzy Mancunian death metal merchants FJ bring forth the muckment once again after a slamming performance at the original ‘Kin Hell Fest. Back with new material in tow, they’ve been ploughing away at this game for several years and are aiming to join the bigger leagues of death metal. Bring forth the slime!

Facebook

Man Must Die – 21:40-22:30

image

The final band of the weekend are indeed a biggie – Man Must Die. Hailing from Glasgow, they were the first British band ever to be signed to Relapse in that time put out two crushing albums, including 2009’s brilliant ‘No Tolerance for Imperfection’, and toured with the likes of Machine Head, Decapitated, Hatebreed, Suffocation, Exodus and many more. They released a new single, ‘Antisocial Network’ towards the end of 2012 and their new album is coming very soon. Get ready to open up that circle pit Leeds, because MMD will bring it!

Facebook

That rounds off our massive preview, but stay tuned to We Must Obey for coverage of the whole festival. Til then, see you in the pit!

Peter Clegg

Live Review: The Great Old Ones @ The Kraak Gallery, Manchester, 06/01/2013

Supported by Terzij de Horde, Burial + Wode

image

In the dark intertwining back alleys of the Northern Quarter its safe to say I’ve lost faith in locating my destination. “I’ve fucking been to the place twice before”, it doesn’t help, the area is completely non descript. Luckily, before too long a man apparently sat in the middle of an alley sees our predicament and points at the venue about 5 feet away. How the hell would you know it’s here? No sign or acknowledgment of existence beyond a black door in a black alley of a side street. The Kraak Gallery is already fairly busy with a mix of people, ranging from trendy looking folk with hair from the 40’s and shirts that would make better curtains to a man who appears to have lost his way whilst hunting large game. The roof is draped with cargo netting and a ram’s skull sits on top of the drum kit, looking off the currently vacant stage as people stand idly or sit on the strategically placed couches waiting for the first band WODE.

The four piece from Manchester have an unrefined and elemental sound that fits well with the different aspects of their sound. Bastardized punk noise breaks up bleak and hypnotic interludes, for a minute or so at a time lulling, droning riffs with cold melodies and almost lethargic rhythms in the vein of Drudkh or Walknut absorb your consciousness, before being snapped back to the living with a more obnoxious kick of old school black metal punk fueled aggression, vocals drowned in filth and reverb. The crowd look transfixed for the entire set ands it’s apparent why. Despite not being around all that long or being very vocal about their goings on, (online at least) the band seem to have people interested. My only previous experience of the band was a gig at the Ducey Bridge, where it was so loud I thought I could feel the end of my spinal column wobbling my brain, and the only thing to be heard was a dull feedback that seemed to be coming from my chest. I’m glad to say with the band playing at sonic levels compatible with humans, they played a high quality set with a freshness that will hopefully continue vitalizing the UK black metal scene.

Veterans of the underground Burial are next to shake things up, injecting a significant amount of brutality to the night. Shredded minor chords, vaguely human twisted vocals and a relentless percussive assault paint a picture of morbid terror before being wrenched into heavy, ominous stabbing groove, that could pulp flesh into snotty little pieces of quivering meat, dragging you through the audio equivalent of murder on acid. That doesn’t sound very nice you might think, well, it isn’t, and that’s what’s nice about it.

A guilty pleasure of watching the ‘orrible trio was some trendy looking fellow that shouldn’t have bothered pretending to be interested in music for the night getting up on stage, unaware that his obnoxious and foolish behavior would see him ejected from it, quite violently. He hit the floor in front of the crowd with all the dignity of our scaly sea dwelling brothers, he got himself up, feigned aggression and skulked away quietly, realizing his existence was that of a fashionably dressed, well groomed exterior.

Although not attracting quite as much attention as some of the other bands, Burial’s loyal base of ferocity loving blackened death nuts were ever present, as is going to be the case with a gig like this in Manchester. The band’s material from their new album stood out as exceptionally grim and viscous in the overall destruction of their set. Purchase it and be smite into hell fire.

Terzij De Horde are a discordant bunch from Holland, with a style that would struggle to be any more oppressive. The negativity in their noise, projected through tangible distortion, is a mix of doom paced misery that plods, portentous, into frantic deranged riffing. When the band changes the pace there’s a strong punk influence but this doesn’t lose the apocalyptic vibe that the slower section’s builds. The vocals are all out continuous savagery for the entirety. The structures of the songs are similar in the way they mix between looming misery and then back into chaos, projecting the image of a joyless utopia that has an increasing number of people absorbed.

The band close with a song in tribute to H.P Lovecraft and as a introduction to The Great Old Ones, the band whom they’ve toured with. The bands compliment each other’s styles without treading on each other, Terzij being on the rougher, nastier side of things.

The Great Old Ones collect themselves on stage and play a simple introduction involving one guitar and effect that would be fitting for a decent, downwards, through endless pitch black narrow stairwells, into the weird and horrifying world of H.P Lovecraft. Despite there being three guitars in total when they kick in, the sound is clear and precise in timing. The layers are well utilized, frequently playing three different things at once. This doesn’t complicate the sound though, there’s no competing or over complicating needlessly with melodies and leads, the only crowding being in a physical sense on stage, maybe dodging the odd headstock. The band play music that building up, transcends to a powerful level using the layers of guitar and crashing drums; the crescendo comes and then fades away to minimalist foreboding notes and chords rung out into nothing. The style, although relevant of black metal, probably owes more to “post” styles, which is still too much of a generalization for the dynamics of the band. The dual attack of vocals are tortured rasps that fit well and emphasize the music; unfortunately lyrically I’m lost, but The Great Old Ones capture an atmosphere that could easily represent one of Lovecraft’s desolate and ancient cities, harboring all sorts of mind-fucking weirdness and malignancy.

The shouts for one more at the end of the night spoke for the quality of the band and the night in general at a great little venue that should be better used. People left happy and drunk, spilling across the various surrounding bars while I was forced to consider a far more evil prospect, waking at 7.30 to go to work after two weeks off, a terrible end to an awesome night.

Michael Collins

Originally published for ‘CLDH’.Check them out here

Click here to view photos from the night (Facebook)

The next wave of bands for ‘Kin Hell Fest 2 are…

image

We’re still catching our breath at the first announcement for ‘Kin Hell Fest 2, the three-day extreme extravaganza which a couple of weeks ago confirmed, among others, Dutch party grinders Rompeprop, Belgium’s Alkerdeel and A Den of Robbers, plus scores of UK talent including Cancerous Womb, A Forest of Stars, Flayed Disciple and more.

Well, Paul Priest and Raw Nerve aren’t mucking about with the line-up announcements and they recently confirmed nine more names for the fest! They are as follows:

WINTERFYLLETH
DIASCORIUM
HORSEBASTARD
WODE
ACOLYTE
REGURGITATE LIFE
GORE
PROLEFEED
THE DAY MAN LOST

Undoubtedly the biggest name from this announcement is acclaimed northeast black metallers Winterfylleth who will surely bring a furious storm with them come festival time, headlining the Friday night of the fest. Priest’s tech-death crew Diascorium return to dizzy crowds once more, Horsebastard bring their fucked-up grind to the fest for the first time, while Mancunian duo Acolyte and Wode will unleash their own respective brands of black metal on the unsuspecting public. Gore, Regurgitate Life, Prolefeed and The Day Man Lost round off a stellar second announcement.

Early bird tickets will be on sale very, very soon, but be quick – only 100 will be available! There will be another announcement due soon as well which is expected to round up the announcement, which we here at We Must Obey will bring you news as we get it. As always, head to the official ‘Kin Hell Fest websitefor all the info about the festival, and the official ‘Kin Hell Fest Facebook page for info, gossip and announcements!

Peter Clegg

***NB: Flayed Disciple are still playing, despite not appearing on the above flyer***