We Must Obey’s Top Records of 2014

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A lot of end-of-year lists have short memories. A lot of end-of-year lists seem to forget the year begins in January as much as the statisticians in English football forget there was a top flight before the Premier League. Hence why one or two albums that made this list appear, and it’s not for the sake that they went under the radar, or because we don’t have to feature some multi-million selling band to sell our product. But enough of the snipper snapping.

My focus on this site has really ebbed away in recent months to the point where I don’t know how much longer it can last. But I wouldn’t be doing it right to ignore what has been another stunning year for rock and metal on all levels. The UK underground in particular has never been stronger and if there is one good thing to come out of doing this site for three and a half years on and off, it’s discovering that there’s a ton of bands in this country who if our rock and metal media gave as much a toss about them as the Americans seem to do, they too could wind up a little bit hipster – and would that really be a bad thing for just a little bit of attention?! The UK is in rude health for rock and metal and all its tentacles.

In previous years I’ve split the short releases – the EPs, the splits and the demos – into a separate list, but this year I’ve not had the time to get around to two lists and to ignore those releases would be a disservice as they stack up very well compared to most full lengths. So here is just one list of ten great releases to have rocked my ears and my ears alone. I’ll stop blabbering now and let you read on as to why these records are worth a damn.

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10. Mastodon – Once More ‘Round The Sun (Reprise)

Its become evident over the last few records that Mastodon were not content being the sludge behemoths of their Relapse days nor even being progressively minded as witnessed on ‘Crack the Skye‘. As their profile has increased, they’ve taken several steps to reach a more, what you might say, streamlined sound. What ‘Once More ‘Round the Sun‘ achieves is a balance between reaching that target and still retaining their core essence. The first half of the record is some of the most kick ass rock you will hear for ages, from the twerk-inspiring ‘The Motherload’ to the at-times dream state of ‘Asleep in the Deep’. It’s not an entirely perfect record but it does finish rather satisfyingly with the bullet train of ‘Halloween’ and the most old school track on record, ‘Diamond in the Witch House’. The record finally confirms Brent Hinds as a distinguishable soloist, but more importantly, it proves that Mastodon are on the next step to true greatness. I doubt we’ll get another Metallica in this lifetime, if any at all, but I wouldn’t bet against Mastodon being able to become more accessible and still making big ‘fuck you’ riffs and anthems.

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9. Cannabis Corpse/Ghoul – Splatterhash (Tankcrimes)

Tankcrimes have a knack of putting out killer split releases and ‘Splatterhash‘, a release combining reefer worshippers Cannabis Corpse and horror executioners Ghoul produced the victims in spades. These are two bands who eschew any notion of meer gimmickry through knowing how to write either slamming pit tunes or memorable refrains. CC once again channel their more infamous namesake Cannibal Corpse for their two tracks, ‘The Inhalation Plague’ and ‘Shatter Their Bongs’, which again highlights how far they’ve come – sure it’s all weed crimes and terrors lyrically, but musically it’s tighter than the stuffiest spliff; while Ghoul are on fire with their side, ‘The Inner Sanctum’ a 5-minute journey once again into Creepsylvania, carrying the command at one point to ‘kill’, finishing it off with the brutal slice and dice of ‘Spill Your Guts’. Horror on record is nothing new, but these two bands carry the B-movie schtick with righteous aplomb.

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8. Grey Widow – I

Featuring members of long time grimy sludge purveyors Parole, Dopefight, Thread and the Ergon Counsel, this is a band who on ‘I‘ lived out their mantra of ‘Nihilistic Putrid Fucking Hatred’ in such a way they swerved the word ‘predictable’ by committing sounds that even I could not have anticipated could sound so venomous and filthy. Mostly wallowing in sludge but capable of vomiting forth a blackened blast, yelling bloodied hardcore punk and occasionally a foreboding riff – but mostly violent black sludge. A lot of bands can profess to be as spiteful as this, but few can deliver on it the way Grey Widow did, it such a way it leaves an impression on the mind and an appreciation that some can still craft mastery out of that very word, ‘hate’.

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7. Nightfell – The Living Ever Mourn (Southern Lord/Parasitic)

An album featuring the collective talents of Tim Call and Todd Burdette, of acts such as Tragedy, His Hero Is Gone and Aldebaran to name a few, ‘The Living Ever Mourn‘ struck me as a pretty good album at first but has really grown on me in such a way that I cannot ignore it. It’s irresistibly compelling in many ways, from the black metal ugh of ‘The Last Disease’, the truly neck slamming ‘Altars of Wrath’, to the funeral dirge of ‘Empty Prayers’, this is an album thick with tarred riffs and pure hellfire and brimstone. I don’t need to say more than that, other than it fucking rules.

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6. Catholic Girls – Distant (Crown and Throne Ltd)

Bastard offspring of the likes of the Cancer Bats and Trash Talk, this Colorado crew lot have produced arguably the finest hardcore release of the year. That in my opinion nobody of their ilk topped this despite this one coming out early in the year says much for its quality. ‘Distant‘ is a tumult of manic riffing, occasional blasting intensity, and for 12 minutes, an impish batshit fury that only briefly lets up for the swaggering ‘Piston’, which is deserving of far bigger moshpit unions than what they are still likely getting right now. Someone sign them up please!

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5. Bast – Spectres (Burning World/Black Bow)

Another fine proponent of the UK underground, London’s Bast made one hell of a debut with ‘Spectres‘, a multi-spectral album that deviled in doom, sludge, black metal, atmospherics and more. From first second to last, ‘Spectres‘ was a masterclass in how to meld those elements together in high alchemy, whether the rage of ‘In the Beginning’, melding black metal with doom riffs, to the Neurosis-esque cauldron of ‘Psychonauts’ or the cavernous riffing on ‘Denizens’. Terrorizer magazine are marking them out for big things next year, and I wouldn’t bet against them following the likes of Conan into greater consciousness.

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4. Thee Silver Mt. Zion Orchestra – Fuck Off Get Free We Pour Light on Everything (Constellation)

I would argue that this is, emotionally, the most powerful album that could be said of the Western world today. In so much that we’ve seen a lot of austerity, a lot of cutbacks, and yet the rich get richer, and the poor get poorer. Thee Silver Mt. Zion Orchestra (or however you know or call them), released this six track call to arms early in the year and it is hard not to feel the slightest bit torn by the music and the lyrical content. It’s goddamn beautiful and yet so heavy, with austerity and the rich/poor divide so evidently the theme as it remains in day to day life. Tell me that by the time you reach ‘What We Loved Was Never Enough’ that you aren’t asking questions of your very own existence, and your very own situation, for it captures your concerns over the present and future. The album’s lengthy title is a bold one, but never truer – we already truthfully know what our country’s state is in, but it will shine a light on what it means to live in the modern era. A magnificent work from a truly visionary band.

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3. Megalodoom – Tectonic Oblivion (Witch Hunter/Tartarus)

The band that used to title demos after Indiana Jones films, and after lines from Predator, got a little bit more serious and received a serious beef up in production for the release of ‘Tectonic Oblivion‘, a four song warhorse of doom that is pretty much a flawless execution of nuclear riffs. ‘Sword of the Spirit’ perhaps best embodied this, shifting from ominous rolling thunder to compelling grooves to an apocalyptic tolling outro, without the need for words. Not many bands can conjure that serpent and convince it to act for them, yet ‘Tectonic Oblivion‘ works that beast a charm in a way to make you sit up and take notice beyond the riffing.

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2. Dephosphorus – Ravenous Solemnity (7 Degrees/Handshake Inc.)

If their previous record, ‘Axiom‘, was stratospheric, then ‘Ravenous Solemnity‘ is Dephosphorus gone interstellar. The Greek grinders’ astronomic approach to their music is one currently unparalleled within their scene, and this album is one that really should garner them more recognition than it has up to now. It melds numerous technical, blackened and deathly influences along with a literary tip of their hats to the late Scottish author Iain M. Banks to coagulate a marvellous text of extremity, from the apocalyptic tone of ‘Storming the Sloan Wall’ to the shadowy mystery of ‘Towards the Cold Dark Infinity’. What was big, big metal blogosphere hype a few years back is no fluke – Dephosphorus are a truly unrelenting force.

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1. Yob – Clearing The Path To Ascend (Neurot)

It turns out that not everything that comes attached with a bucket load of hype attached to it, hanging off the great deceiver of hope on a rope of salacious words, only to unravel and break upon the object in question’s deliverance. Outside of the mainstream, name me one album that really garnered more attention and gaze than Yob’s ‘Clearing the Path to Ascend‘.

Through channeling the words of the great philosopher Alan Watts, Yob remind us it’s ‘time to wake up‘ in the opening chords of ‘In Our Blood’, and for the next 66 minutes they carry you through numeral states of thought as it literally does what it’s title says. It isn’t a slow plod as much as a death march, a journey of exploration. The trick of building up a lengthy song to a verge before quietly waiting on the precipice is one Yob have to a tee, and when Watts tells you to wake up again, the opener fittingly reaches its rise to the surface.

The great thing about this band is that just when you think they cannot conceive any more moments to behold, they turn up with an answer. The thunderous approach of ‘Nothing to Win’, the most anthemic track of this release by way of a chorus of sorts, is only briefly but magnificently halted by a midsection of swirling chaos and despair; ‘Unmask the Spectre’ again utilises a loud-quiet dynamic but on a humongous scale, Mike Schiedt again walking the line between sheer hell and quiet tension and introspection. It’s as if the elements of the opening three tracks literally clear the path for ‘Marrow’, a truly ascendary track – at nearly twenty minutes long it is almost perfect, with the band at times sounding, I daresay, uplifting. It retains the Yob heaviness but rarely has doom of this ilk met such an air of freedom that is able to stick its head above the clouds with a sense of unusual triumphalism.

After naming ‘Atma‘ the best record of 2011, I wasn’t sure I could find a way if enjoying Yob even more, but when the hype you so often buy into actually turns out to carry substance, the results are rarely short of phenomenal.

Peter Clegg

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Dope Body – Lifer

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Dope Body
Lifer
Drag City

Despite having that hipster vibe about them that would normally give me a few second thoughts about whether there is substance beneath the style, Baltimore’s Dope Body confounded that odd notion of mine by letting loose ‘Natural History’, an album that rode all the way into hell and back out the other side leaving behind rubber tracks, broken glass and the odd black eye. That’s generally how the record felt as it battered at one end of the scale and went for foot to the floor kaleidoscopic energy at the other. It was such a breathtaking mix that admittedly resulted, in my humble opinion, in the feeling that ‘Lifer’ wasn’t up to much, on first listen. Or at least it didn’t to me. I was perhaps hoping for a bit more of the seemingly hedonistic vibe that went on with ‘Natural History’, but that only made me more blinkered I suppose. I was finding the first half of the record a bit of a drag, lacking the desired punch, taking a bit long to get going, and the second half feeling better, but not up to the level I was expecting.

But I encouraged myself to give it a few more listens, and what resulted was pleasant discovery in that I actually do like this record. No, I actually love it, as much as anything they did before. What grabbed me before was some of the insane noises that Zachary Utz was able to strangle out of his guitar. There’s not really an element of surprise like that any more nor any vast experimentation, but once I removed those blinkers, I noticed there’s a definite progression in their sound. Although the quiet-loud dynamics of their sound remain, there’s a definite ear cupped towards melody – indeed Andrew Laumann’ is as much a proponent as anyone in the band for this – his vocal performance on ‘Rare Air’ and the closing ‘Even In The End’ is the construct that propels these tracks along, while the lead single ‘Repo Man’ showcases the band’s progression in those aforementioned dynamics through its almost stalking tension before the inevitable explosion of distortion.

Dope Body – Repo Man (official video)

Perhaps the biggest similarities to their previous work lies in the track ‘I’d Say To You’, the shortest track proper (bar the ‘Intro’ track), with a pulsing guitar-bass riff exploding into a memorable chorus, and the fantastically on-edge ‘Day By Day’. Otherwise there’s ‘Echo’, which creeps along like a panther stalking its prey astride a simple, slow, lounge-esque bassline, before going all savage in the chorus as it pounces into anarchy, and the excellent ‘Nu Sensation’, which rides across a jangling, galloping electric twang before Laumann goes all Marc Bolan-like towards the end.

Despite initially making me feel a weird double-take, Dope Body have quite brilliantly managed to progress their blueprint into slightly more mature boundaries, but without losing the primal edge that made them stand out to me a few years back. It would have been very easy just to go balls-out wild and free all over again but the proof in a good album is how much it opens up to you as you listen to it over and over. ‘Lifer‘ is an affirming testament to that, as cerebral as it is primal and as smart as it- is reckless.

Peter Clegg

Buy ‘Lifer’ here

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‘Kin Hell Fest 2014 Preview – Saturday

Welcome back to our comprehensive preview of ‘Kin Hell Fest 2014. If Friday’s line-up wasn’t enough for you, Saturday’s bill features no less than 15 bands, ranging from the fastest to the slowest, and indeed spanning the modern era of extremity to its very origins. There should be something for you all here. Doors at 12pm Saturday, first band at 1pm. Go!

Esoteric Youth – 13:00-13:25

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Describing themselves as ‘the most evil band out of Manchester since Oasis’, this blackened hardcore crew who have been making inroads into the fulcrum of the UK scene since emerging with their demo in 2012 – their bleak crusty diatribes should prove a wake-up slap in the chops for anyone still recovering from Friday’s madness.

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Gets Worse – 13:40-14:05

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Another local act, these guys were named in our top 10 short releases for 2013 with ‘Negative’. They have no time for false grinders, pit violence, and indeed as Manowar, and a cracking Scottish blog might say, ‘wimps and posers, leave the hall’!

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Wizard’s Beard – 14:20-14:50

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Smashing stoner/sludge metallers in the vein of Iron Monkey, Weedeater, etc. who continue to raise the bar in what is deemed ‘heavy’. Blogs and zines have raved about their records ‘Pure Filth’ and ‘Four Tired Undertakers’, so buckle up and get your grooves on. This is about to get heeeeeavy.

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Noise Complaint – 15:05-15:30

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Cosmopolitan crossover thrashers Noise Complaint are rooted firmly in the UK, bringing together members from the USA, Italy and Brazil. Speed is the name of the game here and you’d be well urged to keep up. These guys are nuts.

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Monolithian – 15:45-16:15

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This Falmouth duo are creating welcome noise in the UK scene for their bleak and heavy jams that outgun and rise above more populous doom bands. Released a cracking split with hardcore crew Let It Die last year.

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Arkham Witch – 16:30-17:00

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Keighley-based traditional heavy/doom metallers with anthems of Lovecraftian horror, upholding metal values, mythology and famous comic books characters among others. Cracking retro worship.

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Acrania – 17:15-17:45

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Brutally pounding death metal from London featuring members of Pathology and Bloodshot Dawn. Brace yourselves – circle pits are coming!

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Jesus Cröst – 18:00-18:30

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Word is this is going to be the last show ever from the Dutch two-piece, who’ve been ploughing out good-time speedy grind for over 15 years now. With that in mind, let’s give them the ravenous send off they deserve.

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Grave Miasma – 18:50-19:25

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Fantastic old-school death metal crew from London who released the future underground classic ‘Odori Sepulcrorum’ in 2013. Being hailed as one of the flagbearers of the old-school renaissance of the genre by many leading blogs and zines, it’s time to fall under their spell.

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Deviated Instinct – 19:40-20:15

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For me, personally, these guys are going to be completely unmissable. Legendary 80’s crust-punks who reactivated in 2007 and put out their first record in 21 years with 2012’s ‘Liberty Crawls to the Sanctuary of Slaves’. This year marks 30 years since their inception, one of the true pioneers of the scene, and fans new and old can expect a raucous and furious show. Expect the pit to go truly nuts at this point.

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Hawk Eyes – 20:30-21:10

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Mad scientists of rock who incorporate elements of punk, hardcore, electronic and all manner of experimentalism to their sound, bothering mainstream rags and trendies as well as accumulating a rabid following. Hometown show for this lot, guaranteed to be packed out.

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Khuda – 21:25-22:05

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They’re back! Following their decision to disband early in 2013, Leeds’ post-rockers Khuda have reformed to record a new album and to play KHF, in doing so returning to the festival where they stole the show according to our occasional scribe Mike who witnessed them back in 2011. A truly awesome experience to watch and a swerve in direction from the madness that precedes it.

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Anaal Nathrakh – 22:25-23:30

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The reigning overlords of British extreme metal arrive in Leeds as Saturday headliners and ready to lay waste to the Vox Warehouse.

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Birdflesh – 23:50-00:25

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One of the most crackers bands to ever raise hell in grind, Swedish trio Birdflesh bring hell to town in a UK exclusive performance. Expect wild costume, bonkers antics and some classic grindcore from the scene freaks.

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The Day Man Lost – 00:40-01:00

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Preston grinders The Day Man Lost reformed to play the festival last year and emerged as one of its highlights. These guys are brutal, easily one of the most essential UK grind bands on the scene, and will provide a perfectly crazy end to the Saturday with short sharp blasts of purified rage.

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Peter Clegg

‘Kin Hell Fest 2014 Preview: Friday

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Welcome one and all to We Must Obey’s annual preview of this coming weekend’s ‘Kin Hell Fest. As those who’ve previously read our preview before, the drill is as such: we run the gamut of every band playing this festival, summing them up in a few words with images and links to their sites where you can follow them or check out some of their music.

This year, ‘Kin Hell Fest is bigger and better than ever. Being held in the 1400-capacity Vox Warehouse in Leeds, the festival has attracted the biggest names so far since the fest was founded in 2011. We are very proud to be supporting this festival again as we did in 2011 and in 2013, and together we will all make this a festival worth remembering. So without further ado, let’s get down to previewing Friday’s action.

Death Tripper – 14:00-14:25

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Cracking young hardcore/d-beat/grind crew who first came to our attention here when they released a split with Nottingham vegan PV chums Meatpacker. A great way to kick off proceedings.

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Ephemeral Foetus – 14:40-15:05

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This Derby-based lot are a cracking band, mixing d-beat crust/thrash/punk riffs with raging societal intensity and aggression. They recently released a split with fellow Derby crusties Piss on Authority (‘Fallacy’), and if those three tracks are anything to go by, they be as relentless in their performance here as they show ‘Relentless Contempt for Man’.

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Pist – 15:20-15:45

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Super riff worship featuring a wealth of experience from the Mancunian scene. Pist will step up early on the Friday slinging tracks from their recent released debut ‘Riffology’. Heavy rock ‘n’ roll to raise a glass/plastic cup to.

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Necro Deathmort – 16:00-16:30

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London based duo Necro Deathmort are certainly one of the most intriguing additions to the line-up, bringing with them electro beats fused with doom vibes and industrial machinations. With a slew of releases behind them, their appearance here will herald a monolithic vibe; expect them to stand out.

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Iniquitous Savagery – 16:45-17:15

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Scottish brutal death metal merchants who will soon be releasing their debut album, and will arrive here to pummel your brains in with ridiculous riffs and carnivorous screams aplenty.

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Haar – 17:30-18:00

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In Edinburgh, a ‘haar’ is a dense chilly fog that blows in from the North Sea when the wind is in the east. Cheers Lonely Planet! It’s also home to an excellent progressive black metal band of the same name, producing music as murky and challenging as the conditions out at sea.

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Evisorax – 18:15-18:40

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Wigan grindcore berzerkers who have the backing of Scott Hull and J Randall of Agoraphobic Nosebleed fame – the former mastered their 2011 album ‘Isle of Dogs’ and the latter released it through his Grindcore Karaoke label. Their shows are known for being highly charged and confrontational, which is just fine with us.

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Undersmile – 18:55-19:30

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A rich, diverse, and quintessentially heavy doom band from Oxford, coming with the backing of Dylan Carlson (Earth) and Henry Rollins. High praise indeed. Ranging from titantically heavy to marvellously serene.

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Ingested – 19:45-20:20

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The headliners of the first edition of KHF are back! Expect huge slam pits for this lot who in 2013 stepped up their game with their brilliant LP ‘The Sorreption’.

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Pentagram Chile – 20:40-21:20

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Pentagram’s story from being one of the forerunners of extreme metal to releasing their debut album 28 years later still seems unreal. Yet Anton Reisenegger managed to pull it off after all that time and delivered the goods for the lost years of never making it happen. They’re about to land in town so prepare to get your heads banging away in appreciation of a band that Reisenegger refused to allow to die.

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Napalm Death – 21:40-22:45

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Do these guys really need an introduction? Oh go on then. The granddaddies of grindcore, Napalm Death have in their thirty years as a band redefined extreme music, taking down fascists, racists, policitians, warmongers, hypocrites, societal injustice, famine and more with their diatribes. Often imitated, never bettered, it’s truly a coup and a cause to celebrate that they are greeting this festival with their presence. If there’s a band this weekend you must not miss, it has to be Napalm Death.

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Famine – 23:05-23:30
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Local merchants of hardcore/powerviolence/crossover style animosity, they emerged last year with our top-10 rated EP ‘A Hand of Sore Thumbs’ and are another of the highly rated reasons for you to ensure you turn up early on Saturday for the full attack. Shouting along to the chorus of ‘Sold Bowels (Saved Owls)’ should prove to be a weekend highlight, as will jumping in the pit for these.

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Lock Up – 23:50-00:50

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Closing out the Friday night will be an appearance by deathgrind supergroup Lock Up. Joining Shane Embury, fresh from performing with Napalm Death, will be the dream team of Tomas Lindberg, Nick Barker and Anton Reisenegger (also fresh from his Pentagram slot). This is the ONLY place you will see Lock Up in the UK this year. Make sure you don’t miss it!

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Peter Clegg

Catholic Girls – Distant

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Catholic Girls
Distant
Crown & Throne Ltd

For all the hoo-hah over the legalisation of marijuana in the state of Colorado, none of this green haze gets in the way of the debut EP from Denver crew Catholic Girls. These six tracks of hardcore punk/rock have the sound of a band who could potentially go global. It’s not an inherently mainstream sound though it does have the makings of one, and if I can get down to describing the band in the lowest common denominator – as in, describing them as a mishmash of bands X have a bumfight with band Y in band Z’s living room – then think Cancer Bats if they possessed some of Trash Talk’s molotov rage. This band possess a melodic streak that doesn’t overbear, though it will dig into your ears at times, and at times they rage. ‘Sleepwalking’ is a particularly explosive tracks while at the former end, the closing ‘Piston’ (on the download only) rules thanks to its hooky chorus that if the band are given chance will surely explode moshpits across the world. This is excellent melodic hardcore with a punk n’ roll streak that will surely catch on and it would be a great injustice if it didn’t make everyone stop and look at least once.

Officially the vinyl and cassette is out on February 7th, 2014, but Crown & Throne Records have this available at their Bandcamp site for $5 USD (or the denomination of your choice). A worthwhile investment.

Peter Clegg

Buy/download ‘Distant’ here
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Meatpacker/Sky:Lark! – split

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Meatpacker/Sky:Lark!
Meatpacker/Sky:Lark!

Bringing out what was potentially the very last release of 2013, Leicester’s Meatpacker return once again with their fifth release in three years, and their third split release in a row, after teaming previously with Mangle and with Death Tripper. Here they return to the ‘A’ side after devastating on the ‘B’ side on the Death Tripper split, and they return here with a few slightly longer songs and a few covers, most notably, the cover of The Offspring’s ‘Have You Ever’, which bears hardly any resemblance in the beginning due to the rapid fire blasting that takes place over much of the first half of the song, but by the end it becomes apparent as the band return to the pace of the original. It’s a hair-raiser, I guarantee, but it doesn’t overshadow the rest of the band’s contribution here, which is the best they’ve produced so far – between The Offspring covers and that of grind legends Macabre’s ‘McMassacre’, their original material is as strong as ever, still blazingly fast but with a few more tempo changes early doors (thanks to the slightly longer ‘Death Warmed Up’ and ‘Baby Guts’). They’re emerging now as one of the best grind bands in this country and its to be hoped that more people begin to take notice.

By contrast Sky:Lark! are an odd fit to go alongside the blurring speed of Meatpacker but that’s what makes some splits so great – the juxtaposition between the two bands make for an enriching experience and indeed that is the case here. Not to be confused with the Canadian pop rockers from the seventies, or the Italian power metal band, neither of whom possess a dividing colon in their name, this London trio provide some tasty post-hardcore/noise rock-ish riffs to bite into. Production wise its not the greatest; whether that’s intentional or not I couldn’t say, but the jangly, off-kilter nature of the guitar is somewhat grating at louder volumes which is a shame, because there’s nothing actually wrong with what they’re doing. ‘7 Bodies’ and ‘Born Head First’ are prime examples of tight angular riffing with killer grooves and various yells and screams being thrown in for good measure and each and every track is bloody riveting, and make for a great offset to Meatpacker’s drilling attack.

I can’t see that this is available via Sky:Lark at the moment, or even which label is putting this record out, but you can obtain this via Meatpacker on a name-your-price scheme through Bandcamp and it will be coming via tape and vinyl format too. Stick a couple of quid on it and get yourself some quality underground noise to ring in the New Year.

Peter Clegg

Buy ‘Meatpacker/Sky:Lark!’ here (name-your-price)
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