As promised, please find below a selection of images captured at last weekend’s ‘Kin Hell Fest at Vox/Eiger Studios in Leeds. We weren’t there for every band as you know, but we did catch numerous bands over the Friday and Saturday. They’re not the highest quality but hopefully they capture the awesomeness of this weekend. Just like the fest itself, our approach was very DIY – no fancy lens or expensive kit, just a standard digital camera with a dying battery, and a mobile phone trying to do the job of a professional. Tsk. Anyhoo, enjoy!
+ Pentagram (Chile), Lock-Up and more announced; day splits confirmed!
In what is undoubtedly one of the biggest coups for the festival since its inception in 2011, ‘KHF have confirmed a triple signing of epic proportions! The biggest news is that Birmingham’s legendary and defining grindcore act, Napalm Death, will be headlining the first night of the festival on Friday May 2nd in what will surely be a performance not to be missed! And in a further scoop, the festival has also confirmed the presence of one of the pioneers of extreme metal, Pentagram Chile! Resurging following the release of ‘The Malefice’, their debut album which was twenty-eight years in the making, they will also be taking the stage on the Friday night in what is likely to be a rare, if not a one-off, opportunity to see one of the trailblazers for extreme metal as it was to become.
As if that wasn’t enough, it was confirmed late this past Friday night that the festival had also signed deathgrind supergroup Lock Up to perform alongside those two bands on the Friday night. Furthermore, all three of those bands have been confirmed as UK festival exclusives. What an explosive night of extreme metal that promises to be.
Another three bands have also been announced, including the return of one man tech-death machine Regurgitate Life, blackened crust/d-beat Mancunians Esoteric Youth and rising brutal death metallers Unfathomable Ruination. They join a line up that also includes headliners Anaal Nathrakh, Swedish grind freaks Birdflesh (UK exclusive), US death metallers Malignancy, Wodensthrone, Desecration, Hawk Eyes, Khuda, Deviated Instinct and many, many more.
It’s not all good news – two of the fest’s heavy hitters, Liverpudlian doomers Conan and German pounders Pighead have both had to pull out for various reasons. The festival however, is looking as splendid as ever, with its biggest hitting line-up in history. One more headliner is still to be announced with a further four bands to be announced very soon.
With the festival approaching in 3 1/2 months, the organisers have now confirmed the day splits for this year’s festivities. These are as follows:
Friday (1400-0100 hrs): NAPALM DEATH, Lock Up, Pentagram Chile, band tba, band tba, Ingested, Evisorax, Haar, Iniquitous Savagery, Necro Deathmort, band TBA, Ephemeral Foetus, Death Tripper
Saturday (1230-0100 hrs): ANAAL NATHRAKH, Birdflesh, Hawk Eyes, Khuda, Deviated Instinct, Jesus Crost, band TBA, Acrania, Monolithian, Amulet, Noise Complaint, Gets Worse, Wizard’s Beard, Famine, Esoteric Youth, The Day Man Lost
Sunday (1230-2300 hrs): Headliner TBA; Desecration, Wodensthrone, Malignancy, Crepitation, Holocausto Canibal, Conquest of Steel, Unfathomable Ruination, Basement Torture Killings, Palm Reader, Regurgitate Life, Rot In Hell, Shields
In further news, the line-up for the ‘KHF pre-show is now complete, with an equally awesome line-up comprising of KHF faves of old and further fresh meat serving up the party. Past festival acts The Afternoon Gentlemen, Palehorse and Foetal Juice currently sub-headline an incredible prelude to the main festival, now renamed the ‘Yorkshire Riffer‘, which also includes Bongcauldron, Scordatura, Gods of Hellfire, Ninkharsag, Black Skies Burn, Bludger, Rectal Implosion, No Fucks Given, Sathanel, and Cattle. They’ve just to confirm the headliner for this event, which will surely be a stonker if these latest announcements are anything to go by.
Tickets are still available for both the main festival, taking place on the weekend of Friday May 2nd-Sunday May 4th, and the pre-show, happening the week before on Saturday April 26th. They can be obtained via the official ‘Kin Hell Fest site. And for all the latest announcements, news, updates, and other jollies, head over to the official ‘Kin Hell Fest Facebook page, and also here, via their Twitter feed.
The ever rising juggernaut of extremity that is ‘Kin Hell Fest went and announced another five crushing bands to the line-up recently, and it was a corker. The biggest news is the confirmation of two of the UK’s finest acts, at polar ends of their careers and indeed for speed. Welsh death metal legends Desecration will be hitting Leeds to flay and slay the audience. As will rising Liverpudlian merchants of doom Conan; widely appraised by new and old fans alike, they will surely be one of the highlights of the weekend’s activities. Also appearing will be Portugal’s seasoned goregrind maniacs Holocausto Canibal, London snuffers Basement Torture Killings, and New Surrey based metallic hardcore crew Palm Reader.
They join a heap of awesome bands in what is set to be the nastiest, heaviest ‘Kin Hell Fest yet. There’s still more bands to be announced including two headliners to go alongside the already confirmed big name draw of Anaal Nathrakh.
Meanwhile early bird tickets are still on sale until the end of November, priced at £49 for all the above bands and more to be confirmed over three days, plus merch stalls, food & drink.
+ We Must Obey officially supporting ‘Kin Hell Fest 2014!
We are very happy to confirm that once again, ‘Kin Hell Fest have added We Must Obey as one of its official supporters/promoters of its festival, after our coverage of the 2013 edition. We’re absolutely honoured, thrilled and suitably stoked to be part of the alumni, as the fest is set to be even bigger than ever before.
A lot has happened though considering our coverage dropped somewhat because of my running/fundraising exploits and generally a lack of access and family issues to contend with that has really got in the way. ‘Kin Hell Fest have indeed added more in the way of details since then and as such, I’ve constructed this mega-post to get you all up to speed with what’s going on.
What we know so far:
The latest additions
Some stonking bands were added to the line-up very recently, including perhaps the biggest name to be drawn to the fest so far, in the name of Birmingham’s harshest extreme metallers Anaal Nathrakh. Also added are Rot in Hell, hardcore merchants featuring members of UK scene legends Voorhees, as well as Dutch groovy grind/powerviolence freaks Jesus Crost, Falmouth doom duo Monolithian, brutal German slammers Pighead, and Derby’s twisted-punk psychos Ephemeral Foetus
We also got a self-confirm for the first time in the fest’s history, as Leeds post-rock duo Khuda, who split last year, confirmed their appearance at the fest in a one-off reunion set!
Just a couple of days ago, the festival organisers outdid themselves again, with the announcement of five more bands, including Swedish comedy grindnuts Birdflesh, playing their first UK show, a one-off exclusive, since 2006, and Leeds riff lords Hawk Eyes. Both play the fest for the first time and diversify the line-up further than ever before. Also making their first appearances are London’s old-school progressive heavy metallers Amulet, and UK-based crossover thrashers Noise Complaint, comprising members from the USA, Brazil and Italy. Finally, returning for seconds this year are one of 2013’s most impressive acts, Preston grinders The Day Man Lost. Man, they crushed the fest on the Sunday this year and by George, its great to have them back.
A pre-show will take place on Friday April 26th, 2014 to serve as a preamble to festivities. This show will take place at Eiger Studios in Leeds, with a line-up to be announced.
The main festival itself will take place on the weekend of Friday May 2nd to Sunday May 4th, 2014, at the Vox venue in Leeds.
27 bands have been announced so far:
Anaal Nathrakh; Wodensthrone; Birdflesh; Hawk Eyes; Deviated Instinct; Ingested; Khuda; Conquest of Steel; Crepitation; Evisorax; Pighead; Necro Deathmort; Jesus Crost; Acrania; Haar; XisforEyes; Amulet; Gets Worse; Noise Complaint; Iniquitous Savagery; Monolithian; The Day Man Lost; Rot In Hell; Wizard’s Beard; Ephemeral Foetus; Famine; Death Tripper
12 more bands still to be announced, plus the pre-show line-up which is set to be an all-dayer, with announcement of 11 bands for that show at the beginning of 2014, bringing the total up to 50 bands!
Early bird tickets for the fest are now on sale at a modest £49 for at least 39 bands. But be quick – they’re limited to 200 and likely to go quickly! Head here to get yours. More tickets will go on sale at a later date, for both the main festival and the pre-show. The fest are also exploring camping and travel options. Keep your eyes and ears on those if you live many miles away from Leeds.
The revamped ‘Kin Hell Fest website is now up and running for 2014. Bigger and better than before, go check it out for the latest news, tickets, band profiles and forum discussion.
Phew, that was exhausting. But rest assured, we aim to pick ourselves back up and support this festival loud and proud, heading into 2014 and beyond. Stay tuned for further updates!
Next year’s edition of ‘Kin Hell Fest, the Leeds extreme metal fest taking things over, was already shaping up nicely with the confirmation of ten top bands and the securement of a 1400-capacity venue. But as Professor Brian Cox’s former band once famously sang, things can only get better. And better they did, with the announcement of some of the top names in underground metal, punk and hardcore, past, present and for the future.
Undoubtedly the biggest announcement here is the addition of pioneering crust-punk/death metal veterans Deviated Instinct. DEVIATED INSTINCT! Having reformed in 2007 have a long time apart, they will be in Leeds to rain hell to the crusty legions at hand. Bradford’s true metal warriors Conquest of Steel will also be gracing the festival with their over the top charge of battle anthems and incomparable showmanship.
The fest also confirmed plenty of new blood, with the addition of Nottingham d-beat/hardcore crew Death Tripper – whose split with Meatpacker kicked off 2013 with style, Scottish crushers Iniquitous Savagery, and London death metallers Acrania, in what is already looking like an ultra-brutal line-up set to blow a hole in White Rose country once again.
Tickets are not on sale yet but do expect information soon as to when they’ll be available. Head to ‘Kin Hell Fest’s official Facebook page for info, updates and more!
As some of you may be aware, despite the huge success of ‘Kin Hell Fest 2013, it wasn’t without numerous logistical and technical issues which led to the festival being quite a costly one for its promoters. For these reasons the team have been working hard to clear these debts, which up to now has involved selling off personal possessions and outstanding merch orders. But the latest initiative is one that everyone can get on board with and by ‘eck, it’s a corker!
For streaming below, we have for you the ‘kin Hell Fest fundraising compilation, a whopping 82-track album with over five and a half hours of material. Featuring offerings from various bands who performed at the fest, including Gore, Bong, The Day Man Lost, Diascorium, Iron Witch, as well as many more bands from across the UK and internationally as well. It’s yours for a minimum of £4 or anything above that if you’re feeling generous. All funds raised will go towards clearing the debts associated with ‘KHF 2013 and will look towards learning some lessons and creating an even better festival in 2014, and at a different venue too.
Get streaming below and head directly to http://kinhellfest.bandcamp.com/ to purchase the whole thing. And the zip file will be as heavy as the music itself, so make sure you’re in a Wi-Fi zone or something and get a brew on while you wait.
Sunday 28th April
I arrived a little bit late in the day, expecting to miss Envoys and DSDNT, with the sharper changeover times to make sure of that. Shyeah, right! It was a while before the Leeds hardcore crew were ready to go, allowing me plenty time for that flyer to go up and to grab a beer too. Still, when they did get going, the crowd received a pretty good set. There still seems to be a fair few people asleep, and they missed performance of real intensity, with the band’s vocalist allowed to stalk the floor and bellow his lungs out at any given moment while the others duelled out the soundtrack to their downbeat mood.
Even that doesn’t prepare us though for The Day Man Lost, making a comeback with a new lineup. They pull off a set that’s all kinds of amazing, seamlessly shifting from one song to the next with little time to draw breath before the next grind barrage hits. The pit perimeter seems to widen with every song with more and more people wanting to enter the frenzy. This is quite possibly the best set of the weekend, hoovering even the most vaguely interested party into undiluted glee with the constant stab-stab-stab of subjugating sonic violence.
Horsebastard aren’t bad either, albeit experiencing a slightly subdued atmosphere as for some reason all TDML fans disappeared. It’s a rollicking mix of grindy hardcore punk and political awareness, with Chris Reese of Corrupt Moral Altar doing vocal duties here too. Their bassist is fleet of finger and doesn’t relent for the entirety of the set. But having been a guitarist short for the entire set, they do well not submerge in a sea of low-end grooves, making the best of a potentially sticky situation and winding up impressing the pants off many.
Corrupt Moral Altar trucker caps had been sighted frequently since the beginning of ‘Kin Hell Fest, suggesting there was definite buzz about the underground ‘supergroup’, and if there was anything tantamount to hype then CxMxA didn’t let anybody down. It’s a blistering set and blood is even shed in the pit as the chaos gets a little too rowdy.
Wode appeared to suffer from technical glitches early on but still manage to plough out a few of their impressive blackened tunes. But the spark to ignite this particular set is somewhat missing. I get that not every musician wants to be an entertainer but with the vibe given off at this festival it would have been nice for the band to appear to enjoy themselves a little more. As it is, the appreciation shown by the crowd doesn’t seem entirely reciprocal, and the overall feeling is a little flat.
The Sufferinfuck set could have suffered similarly from the opposite perspective, with the earlier hordes of grind rangers not showing up as frequently for the West Lothian powerviolence mob, but any doubts are cast aside from the opening blasts from the back of the room. This is one of most furious sets of the weekend, anf their singer screams himself hoarse, even roaring at one point to the switches on the wall. There’s just enough time at the end for everyone to catch their breath before they close on the cerebral ‘Nature Will Out’, allowing for one brief moment of foreboding malice before they throw the kitchen sink at it again. Bloody terrific.
If the first chunk of the day was largely fast, it’s mid-section was about to hit a sudden bump in the road, and the Scouse whiskey machine Iron Witch were on hand to slow things down. Always a class act as usual, they manage to sneak in a new song or two and still retain a familiar feel about their set, with the new material from ‘Hangover Suicide‘ fitting like a glove. Today’s set felt like they were doom trippin’ more than the last time I saw them, which was back when ‘Single Malt‘ was the flavour, but that’s no bad thing when the riffs flow as they so often do, and
Things slow down even further for the arrival of Bong. A divisive act, in terms of people who can’t stand drone no less stand through 40 minutes of it, and of course those who can, whether we’re into it or slightly curious. Those that stay are greeted with a masterful display of pure focus and attrition, building and maintaining the volume throughout, with only a morsel of chanted vocals and a spacey upward movement in tempo as the set progresses on which to hang any hat on the coathook of melody.
The room become tightly packed for the return of Leeds’ own A Forest of Stars, who use their soundtrack to ensure everything is precise to the most minute detail. The local crowd seem more than happy to let them get on with it and they don’t disappoint, providing a thorough, professional and wholly unique experience. The septet and their ensemble of instruments fill the seemingly tiny stage yet the crowd equally squeezes down to the front to glimpse to see their unique blend of progressive black metal, holding everyone’s attention like the mass conductors they are.
After that display of utmost composure and sincere appreciation, some depravity had to be in order, and London goregrind louts Gout were on hand to deliver it. Decked in their now trademark Hawaiian clothing and entering to the ‘Trololol’ song, the lights turn a blood red over the stage and when it all kicks in everything goes nuts. An explosion in the pit felt like it was forever waiting, until Gout came along and in one fell swoop opened up a sea of flailing, circling humanity. Eddie Spengler revels in his frontman role, unleashing ridiculous song titles – ‘Interspecies Zoophiliac Sex Safari’ being a nugget of pure gold in its utterance – and plumbing the deepest gutter of the vocal bucket whilst having a good old jape around the stage, as his bandmates blast and groove everything to pieces. It’s over in 30 minutes but the good times experienced here will long live on when looking back over this weekend.
Not to be outdone, Bury death metallers Foetal Juice don’t waste too much time in delivering their own gleeful battering, hitting the jackpot with every song, vocalist Sam Read revelling in the role of growler and conjuror, keeping the crowd enthralled throughout and spending the whole gig with a maniacal expression across his face. 18 months ago they were a proud part of the original KHF. Sub-headlining this time around, how much longer before they’re headlining things like this in their own right?
Unfortunately, my carriage awaits as stamina gets the better of us and we decide to call it a night at a reasonable time. So apologies to Man Must Die and indeed Envoys from earlier, though I’m assured both were excellent.
Finally, I must close out this review with a massive thank you to Paul Priest and to all the KHF staff who made our time there very accommodating whilst running an excellent operation on a large scale throughout. I implore everyone to head over to the ‘Kin Hell Fest page over on Facebook and to continue to support this festival in any way, shape or form. We’d love to see this fest return in 2014 – it was a blast from start to finish, and its grand to see UK hardcore and metal, in all its forms, is very much alive and well in the catacombs of the underground.
Its been weeks in the making, but its finally here. From Friday 26th to Sunday 28th April, a venue called the Templeworks in Leeds was shaken to its core numerous times by some of the very best UK underground hardcore and metal had to offer. We were there for just about all of it (sorry Envoys, Man Must Die) and now we can finally bring it to you.
It seems a bit disjointed, given we have photos for Friday and Sunday but not for Saturday. Anyone willing to help with photos, please get in touch with us – though its not massively important. It was a very DIY job anyway. We may furnish this review with videos and maybe more photos too where applicable. But right now, get ready to relive an immense weekend.
So here it is, at last: ‘Kin Hell Fest 2013 – The Review!
Friday 26th April
From the off the tone for the weekend was one for a flagrant disregard for punctuality. Maybe it was the size of the task at hand, but from the off Friday’s action was 25-30 minutes behind before Rectal Implosion got going. Thankfully the wait is worth it, with the drummer/vocalist of the duo giving some pretty good brutal metal face impressions as he shells out his vocals and delicious beats, the guitarist riffing and weedling away in front of him. ‘This next song is called Mosh In Hell, which most of you won’t have heard as its from our demo CD, which not many people have!‘ Perhaps true, but even with limited output to date, Rectal Implosion’s material shows a lot of substance.
It’s not hard to spot Mancunian black metallers Acolyte‘s influences, with more than a shade of the progressive nature of Enslaved, Deathspell Omega about them. But it would be churlish to rank them solely on this, and despite some tuning issues in the first song, the band crank out a set worthy of everyone’s attention with the singer revelling in the attention of the front few rows. With new album ‘Alta’ about to drop, this was a good time to drop in with a good performance and Acolyte look to be more than capable of joining the booming UK black metal elite.
I’d been looking forward to Magpyes a lot, and by and large there was good to be found from their set. However there was that sense that it was all a blur, whether that was just down to their short song nature or the PA system. A slight detraction, but they get the first truly decent moshpit of the weekend, and it would be unfair to suggest they didn’t elicit a response, because they certainly did that, and then some.
The weekend’s only pagan metal band Ravenage were up next, and they don’t hold back in the costume stakes, a must if you’re truly to be believed in at this sort of thing. The Hull sextet do not disappoint, reducing the most hardened metaller into pure dancing joy, managing to lead a by now slightly inebriated crowd into a cry of ‘More Beer!‘ during the song of the same name. A grand sight to see a band able to hold a crowd like that in a place like this.
Kastrated‘s set seemed awfully short, but the Burnley crew seem to have a good faithful watching them and they truly bring the slam element to KHF with a blistering display of sledgehammer riffs, turns of pace, and cheeky macabre Northern humour.
Its easy to see why Winterfylleth have risen to the cream of the British black metal crop, and their set is beholden with quality throughout. The hour is getting late at this point, but their performance is gratefully received by the masses, with plenty to savour from works recent and old.
What Lawnmower Deth are to thrash, Gore surely are to goregrind. Infamous over the years for lobbing fish into the audience, they’re on the comeback trail and their unhinged humour seems perfectly intact, turning the moshpit into a cheesy 80’s dancefloor and even getting their new guitarist to hand out Christmas cake to the crowd between songs. Yes it’s completely silly and off the wall but you’d have to be really hardnosed to not see the funny side of songs like ‘Smashed to Pieces By Falling Faeces’, ‘Be My Speedbump’, and even their very own ‘National Anthem of Goruguay’. It’s good to see them back, serving up a platter of punk and thrash grooves amidst the splatter of subject matter. (PC)
Predictably my task of staying relatively copus mentus, in the event of the much harder working half of We Must Obey having to leave before the end, has gone less smoothly than I might have hoped. Insane a tonal scales flit sporadically around slamming groove occasionally fooling me into trying to nod my head to beat; “fuck you!”, Diascorium reply, “you have no comprehension of what’s coming next you inebriated, simple minded twerp”. So I go back to sweating and watching wide eyed. I’ts a head fuck; a moment of brilliant bright catchy melody, and I think it’s possible we’ve gone through the insanity and out the other side; the guitar and cab head’s blink robotically threatening to fry your brain like two Daleks, then a twisted bass line emerges and something that sounds like jazz on bad acid comes to fruitation. “This one’s about if you don’t sleep you die”, says the frontman and I think I they have managed to capture what that must be like. Diascorium is not strictly about your indulgence as a listener, but more that your being taken for a ride. It’s like an exploration of what’s possible within a song, subjecting the crowd to schizophrenic extremities and lulling you into a false sense of security with some awesome catchy grooves. There’s a good amount of friendly banter and mic passing between the band and the crowd, occasionally someone flies past the front odd postured and tangled in their own limbs with a giddy look. Diascorium make the most of their last gig ever and close with a slam that starts with ludicrous widdly widdles and is slowed down over and over again into a lumbering beast, finished, then re-started to the inevitable shouts of “slower”. A very entertaining end to great day, despite occasionally feeling as though tailored to bring on a nasty psychotic episode. (MC)
Peter Clegg/Michael Collins
Saturday 27th April
I set off on the walk back from the rooms we stayed at about 11:30 am. A car drives past me and swerves to travel through a large puddle, soaking me from head to toe. Feeling completely broken, we stop at a cafe to regather with a full English breakfast. It doesn’t work, so we make our way back to the venue in obligation and because I didn’t have a gun to shoot myself in the head. Slumped against a wall trying to prop myself up, I reluctantly await an onslaught of death metal. After getting back to the jam rooms the night before I found a corner in which I tried in vain to sleep. I watched the ceiling swim around while four un-intelligible Geordies had a snoring competition and occasionally tried to wake their friend for ketamine. I did not feel good, but one must persevere, and I was safe in the knowledge others were in the same boat.
Never the less, there’s a decent crowd assembled for the first band Masochist, who break the reluctant atmosphere with straight up death metal. It’s nothing new but there’s a good old school element to it and some good groove to get into. The frontman attempts to bring some animation to the gray faced crowd; “turn to the person on your right and shake their hand”, I cautiously eye my neighbour and take a step away, “now is not the time for the affection of strangers, now is the time for the proper observation on personal space”, I’m sure he understood. Masochist finish their assault and although people retreat to various dark corners, the day is starting to look promising with a steady stream of arrivals and the emergence of some yellow heat giving foreign object in the sky.
There is no remorse for those still feeling sensitive as Nu, Pogodi! take to the stage. This band should be predominantly credited first of all for remembering all their lyrics. Mid barrage, they must be going at least 1000 words per second. Utilizing an intense duel vocal barrage, the three piece bash out simplistic crusty riffs while the savaging beast occasionally turns into a very Sabbathian creature, slow and menacing, which mixes it up well. The lyrical content and stance of the band (explained between tracks) is cliché but correctly highlights some misogynistic views within the metal scene. How ironic it would be for the track ‘Fuck my Womb’ to be taken as anything but symbolic.
I walk outside and buy some cans of Stella from the commendably priced bar; gruelling work to get it down, but if there was any hope of feeling reasonable again, the answer’s somewhere at the bottom of one of these things. As I get back to the venue I’m greeted by series of strange electronic loops with bizarrely out of context monologue, seemingly powered by a sonic teapot; it’s time for things to get weird with Sloth Hammer. The band’s faces are all concealed, most wearing balaclavas with the exception of one member, wearing a gory pig mask and overalls. This porcine individual walked out into the crowd holding various pieces of drum kit, which he proceeded to hit as hard as he could with other pieces of unfortunate drum kit, as people around him looked apprehensively and flinched. There’s rattling bass that growls over harsh teapot noise picking up into evil doom rhythms, then accentuated by a double percussive assault, plus our piggy friend. I can honestly say I’ve never been subjected to such an odd musically orientated spectacle, made all the more surreal by the naked drummers who made visual contributions by putting socks on their nobs.
Time to soak in the heavy grooves of the BongCauldron. Massive Iron Monkey style throw downs punch out of more THC stewed lethargies or upbeat tight rock outs. The large hairy man at the front of the stage occasionally bellows about getting pissed and what not. It’s very satisfying and tightly executed, heavy but fun. Everyone in the crowd nods their heads enthusiastically safe in the knowledge that the next riff will be just as fucking catchy and large, I expect that you will see a great deal more of these riff demons in the near future.
Uplifted by the sounds of Bongcauldron and feeling better for guzzling, we’re thrown back into a pit of spikes with Prolefeed. Wide eyed crust punk relentlessly mauls any complacency giving us a good dose of thought crime. Leaning towards old school crust punk Doom vibes, its evidence that melody can work in true aggressive music; a great set and something that’s not done as much at the moment.
After soaking sun to help with the ongoing healing process its back into the cave for Regurgitate Life. The one man effort entails an endless string of breakneck widdlies and “ORGHHH”, to the drum machines obscure timings coming through the PA. Very impressive musicianship with absolute berzerkery, which didn’t honestly come that easy to listen to.
There’s a large crowd assembled for thrash-infused death metallers Cancerous Womb from Scotland, and there’s the first taste of good spirited violence in the crowd that sets precedent for the rest of the night. Chaos is fun and Cancerous Womb have got it as well as quality tracks. Who wouldn’t be charmed by such lovely titles as ‘Torn from Gunt to Cunt’?
Whilst plying myself with vodka outside some malignant noise spills from the stage (This noise belongs to Ishmael – PC). Notes linger with cavernous openings before striking again in discontent, with the precision of a giant cog fitting its next groove in some monolithic despicable machine. The pace is slow, titanicly hellish with harsh screams as a constant and bleak background. Absorbed in negativity, the crowd gaze on and sink into the floor. In a good way, probably.
Flayed Disciple is a tirade of palm muted thrashy death, energetic palm muted riffs with guttural vocals about killing people and jizzing on them, the kind of thing exclusive to this quaint genre. They actually sound to me like a death metal version of early Megadeth.
Rickenbacker and Flares in tow Asomvel wear their influences on their sleeves and keep it light hearted. Bass lines from somewhere in Motörhead’s back catalogue are as punchy and in your face as you’d hope while there’s almost a constant wah wah blues solo coming from the flares in the corner. A great deal of fun to watch and different to the rest of the bill. “We’ve got one more before you dullards get back to your grindcore or whatever it is you listen to now”. ‘Ace of Spades’ was requested for this finale.
“I looked up, and there before me was a Pale Horse, its rider was named Death and Hades was following close behind him”. If death didn’t like Johnny Cash and wanted to announce the arrival of the apocalypse less subtly, Palehorse would be suitable. Ground shaking low end provided by the two bassists is accompanied by the ominous drones of an organ synth, the player of which occasionally looks upwards and screams into a microphone. While the crowd collide viciously with each other a man with a bald spherical head and glasses attempts to keep upright in the middle as he shrieks and nasally preaches anxiety and despair as though from a blasphemous pulpit. An all around ugly experience, with fat rolling vibrations.
Alkerdeel bring harsh, minimalistic and bleak atmospheres with frantic vocalised desperation and the occasional Darkthrone esque groove dropped in. Unfortunately the sound was way off and it was difficult to make out any of the guitar, from outside I initially thought a doom band was on stage, the low end was so prominent. I’d like to catch this lot again for that reason.
I’m a fan of any band that have a track called ‘Can I Have 20p For a Cup of Tea’?, regardless of what they sound like, but as it happens The Afternoon Gentlemen, are one of the best grind bands around. The Leeds based pissheads combine blastery with groove that you’ll likely be spitting blood to. Tonight’s no exception; punk fuelled razor sharp power violence nastiness.
For a short break I decide to take a short walk in the moonlight, take in the beautiful sights, smells and sounds of the Templeworks car parks and have three, yes fucking three double vodkas spilt by various clumsy cunts that polluted my vicinity. During my anguish, the horrific sounds of a man drowning in tar reached my ears, upon further investigation I realised the noise was in fact, Rompeprop. Guttural simplistic grind and a good deal of banter make this band lots of fucking fun in between sustaining injuries and finding yourself on the floor. It must be said that at this point, the night takes a certain nostalgic haze for some reason or another, but I do remember the crowd bouncing to the jiggery like lunatics.
My night ended here with me having to leg it for the train at this point whilst simultaneously trying to keep a large quantity of liquid inside my body and realising I’m horribly unfit, so unfortunately Acoustic Womb, were missed, although I’m assured it was beautiful.
I’ll bet by this point Paul Priest hears people saying thanks in his sleep but it’s certainly deserved with effort gone through to make ‘Kin Hell Fest number II such a success, and creating a proper festival vibe at the well suited Templeworks. Well played all who contributed.
All good things come to an end and the same is no different with the 2013 edition of ‘Kin Hell Fest. But will it go quietly? Of course not. There’s still another thirteen bands to see, and there’s an afterparty too for those who don’t have to jet for the last train home. So let’s round off this preview…
Envoys – 12:30-12:55
Envoys are a lush instrumental post-rock/metal trio who certainly qualify as one of the more expansive bands on the line-up. Their 2012 demo (self titled as ‘E N V O Y S’) showcases a band full of potential.
DSDNT – 13:10-13:35
Local Leeds hardcore crew who formed in mid-2011 and have been tearing off limbs ever since. Their debut self-titled EP is up for free on their Bandcamp page and if Envoys don’t blast the cobwebs from Saturday away, DSDNT should certainly do the trick.
Horsebastard – 13:50-14:15
Assuredly free of any fraudulent horsemeat, this equine-loving crew are proprietors to head-shrinking grind and for one of 2012’s most disturbing and compelling videos, for the track ‘Short Controlled Bursts’. And that’s exactly what you’ll get here, as this Liverpudlian lot batter you time and time again with said accurate bursts.
The Day Man Lost – 14:30-14:55
Mourned by the Northern scene and by grind fans in the know when they originally split, Preston’s The Day Man Lost have returned with new blood and all new intensity. The mood is likely to be celebratory but at the same time it’s going to be downright nuts when they make mincemeat of the crowd with their furious assault.
Corrupt Moral Altar – 15:10-15:40
Making their first appearance in Leeds and indeed at this festival, Corrupt Moral Altar are a supergroup of sorts, containing members of Horsebastard, Magpyes, Malevolent Creation, and play ridiculously heavy, scuzzy sludge grind. ‘Luciferian Deathcult’ was more than just a warning shot, bringing to the fore classic vibes of Iron Monkey, Mistress and smoky bourbon. New release ‘Whiskey Sierra’ is set to prove that was no fluke. Do not miss.
Wode – 15:55-16:25
Fantastic up and coming black metal band from Manchester. Their drummer is also the lead vocalist, and he’s an absolute machine, especially on the kit. The rest of the band are up to his ability too. Certainly got the ability to be one of the highlights of the festival.
Sufferinfuck – 16:40-17:05
One of the many bands flying the flag for Scottish grind/powerviolence bring the pain to Leeds. They’ve been owning the scene over the border for a little while and now its England’s turn to be decimated by this West Lothian mob.
Official site (Blogger)
Iron Witch – 17:20-17:50
Highly talked about and full of boozy rage, Scouse sludge crew Iron Witch are going from strength to strength, off the back of two solid releases in the last year, ‘Post-Vegas Blues’, and their best work to date, ‘Hangover Suicide’. Unquestionably one of the bands you absolutely must not miss this weekend, though watch your drinks don’t go flying when the pit undoubtedly explodes in a fit of nihilistic rage.
Bong – 18:10-18:50
Even if you arrived ten minutes late into this band’s set, you probably won’t have missed much beyond the opening bars! In all seriousness though, Newcastle’s space-psych-doomers Bong will certainly be the trippiest band of the weekend, sending us all onto another plane whatever your poison is. A rare live outing not to be shunned.
A Forest of Stars – 19:10-19:50
Unquestionably one of the most intriguing acts the festival has to offer, A Forest of Stars are more than just your average black metal band, winning new fans and dividing current ones further with 2012’s masterful ‘A Shadowplay for Yesterdays’, rich in Victorian theme and avant-garde propensities. This Leeds crew are another stellar draw for the festival and their set ought to be warmly received by all.
Gout – 20:05-20:35
Smashing London lads who are quite good at this grind jiggery-pokery, embracing the fun and silly side of goregrind while at the same time embellishing its wicked tendencies. If you enjoy Rompeprop you’ll enjoy these too.
Foetal Juice – 20:50-21:20
Grimy, scuzzy Mancunian death metal merchants FJ bring forth the muckment once again after a slamming performance at the original ‘Kin Hell Fest. Back with new material in tow, they’ve been ploughing away at this game for several years and are aiming to join the bigger leagues of death metal. Bring forth the slime!
Man Must Die – 21:40-22:30
The final band of the weekend are indeed a biggie – Man Must Die. Hailing from Glasgow, they were the first British band ever to be signed to Relapse in that time put out two crushing albums, including 2009’s brilliant ‘No Tolerance for Imperfection’, and toured with the likes of Machine Head, Decapitated, Hatebreed, Suffocation, Exodus and many more. They released a new single, ‘Antisocial Network’ towards the end of 2012 and their new album is coming very soon. Get ready to open up that circle pit Leeds, because MMD will bring it!
That rounds off our massive preview, but stay tuned to We Must Obey for coverage of the whole festival. Til then, see you in the pit!