Big Business @ The Key Club, Leeds, 21/11/2014

+ Black Moth + Blacklisters 


When The Cockpit in Leeds closed down earlier in the year after 20 years in the business, it was a day of sadness for not just myself, but for many. The venue had been a hub for indie and rock in the city, hosting many gigs across the years which indeed saw many bands pass through en route to greater arenas. Sadly, it was deemed beyond economical repair and so the venue, situated underneath the busy railway station and affectionately resembling an air raid shelter, was closed down to perhaps the surprise of some. Indeed it was held in high regard and anyone who ever passed through that venue’s doors for a show will attest to that.


It seems endemic of the fate that seems to await many rock and alternative venues in this day and age, but in true testament to the adage that rock will never die (unless you’re Gene Simmons of course), venues tend to spring back up, in the big cities at least, and this is true of the Key Club, launched by former owners of the Cockpit, itself located where resided the club’s former Bassment and Subculture venues, in which I saw Darkest Hour years ago, and played as a member of a band respectively. Not much has changed about the place, bar the stage being moved from the back of the venue to the front, and a balcony overlooking the main floor now walled over, so you can’t see who’s off for a quick slash any more. Not that you’d want to anyway. Still, it holds some good memories for me and so I’m happy to see it back in use.

First up tonight are Blacklisters, whom are thankfully more focused on the task at hand than when I last saw them at the Brudenell Social Club supporting Dope Body. I want them to succeed at their craft and they aren’t too shabby tonight, even if the crowd aren’t too enthused at this point. The new material they play fits in neatly with older material including their destroying  rendition of Kasabian’s ‘Clubfoot’ and ‘Trickfuck’. Then there’s Black Moth, a local quintet who’ve made a few waves recently on bigger pages than this one. Their frontwoman adds a swagger to their proposition which isn’t exactly unique – driving dirty rock riffs amidst a slightly occult tone – but they know how to get a crowd going and there is enough life in their songs to consider them potentially outgrowing the confines of venues the size of the Key Club.


Black Moth

Big Business, much like the Key Club owners, had their hand forced somewhat as back surgery for Scott Martin resulted in the guitarist sitting outside the band’s UK tour, which is currently ongoing as they support Mastodon. Alas, it’s the original two-piece of Jared Warren and Coady Willis, of Karp, Murder City Devils, the Melvins and just about anything righteous, who turn up, announcing themselves in showbiz style, before getting into material from their latest release, ‘Battlefields Forever’. It’s at frenetic pace to begin with, with ‘Chump Chance’ and ‘No Vowels’ quickly getting out of the traps before a fun run through ‘Hands Up’, which the front rows of the crowd duly take part in by raising their hands skywards to its refrain. The set seems a short one – only seven songs, which even an extended version of ‘Just As The Day is Dawning’ hardly filling up set time, but for whatever brevity the band make up for in effort and energy. Warren pumps out the low grooves and Willis just goes all animal like always, making this performance a particularly righteous one by the time ‘Lonely Lyle’ stomps to a conclusion.



During that last song I rocked out a little too hard and my glasses flew off my head. Alas, they were found minutes later, trodden on and no use to man nor beast. Ah well. It didn’t detract from an enjoyable evening as neither did the rain that poured into the night.

Peter Clegg

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