SSS were originally part of the spate of thrash bands that Earache Records signed as thrash metal once again gained a head of steam and briefly rose back to the fore. Some called it ‘The New Wave of Thrash Metal’, some called it ‘Thrash 2.0’, and detractors simply called it re-thrash. Meh. I could care less for snidey labelling. Or indeed labelling at all. But while Evile and former labelmates Municipal Waste have gone strength to strength and emerged dangerously close to mainstream waters, SSS have remained slightly under the radar and haven’t quite taken off in the same way – a shame, as they deserve at least as much recognition. That said, they’ve stuck to their uncompromising crossover thrash and continue to do so again on album number three.
It starts off pretty well, opener ‘The Kill Floor’ bringing in Napalm Death’s Barney Greenway on guest vocals to provide a great riotous 2-minute plus romp. The tracks then come thick and fast, and SSS sound just as pissed off and nonplussed as ever, with some insane musicianship on all instruments (‘Sick Pleasures’ and the instrumental ‘Future Primitive’) and combative songs such as the 5-second ‘Direct Action’, and ‘Here Comes The Neighbourhood’, in which Barney appears with his trademark roar once again.
Its not all same old, same old; SSS do try a couple of new things with some whispered vocals from Foxy in ‘Man Against Man’, and closer ‘Strangenotes’ is the band’s longest song to date, another instrumental that sounds hardly like crossover thrash but even shows hints of progression, as it recesses into a quieter, but unsettling, piano-driven middle section before returning to the main riff towards the end. It could well be the soundtrack to wandering lone through the creepy streets of a dispirit inner city suburb somewhere in rundown Britain – that middle section alone gives off that vibe.
‘Problems to the Answer’ deserves repeated listening. Particularly as long time SSS fans might be taken aback slightly by the forays into instrumentals, and there’s a few more punkish riffs as opposed to shredding thrash. The songs aren’t all as fast and furious as they were on ‘The Dividing Line’. That said, ‘Problems…’ is definitely a grower and in actual fact, SSS have managed to carve out a cracking album with a few experimental forays that don’t compromise their style, free of gimmickry. Hopefully, this will be the album that might inspire more thrash fans around the world to pay SSS a little more attention.